“An intermezzo, perhaps”,（With the same name as the work）exhibition view，2025， Beiqiu Museum of Contemporary Art,Nanjing, China
“或许是出幕间剧”，与作品同名个展展览现场，2025年，北丘当代美术馆，中国南京
《或许是出幕间剧》
2025年，装置&绘画、照片文献等现成品组件，尺寸可变
“时代变了，那时候我们不需要工作室，兜里揣着方案就可以做展览，你有200个，我就有300个。”
“那时候都自己搞展览，找二、三十个艺术家，谁先到了，就抢个位置，作品一放，还需要什么策展。”
“你们还真够反智的，还能这么玩，这一拍脑门子就一件作品，全靠逞勇斗狠啊？”
“那也不全是，也有玩编程的，玩互动的。”
“我当时以为那作品是个机械装置，几分钟动一下，后来才知道有个人躲在隔墙里面。抽完一根烟，正好三分钟，里面拉一下绳子，外面就动一下。”
“高科技啊……”
“An intermezzo, perhaps”
2025
Installation & paintings, ready-made components such as photographic documentation, and other archival materials, Dimension Variable
“Times have changed. Back then, we didn’t need studios—just a proposal in your pocket and you could mount an exhibition. You had 200 ideas? I had 300.”
“Everyone organized their own exhibitions in these days. You’d gather 20 or 30 artists, whoever showed up first grabbed a spot. Just hang your work—who ever needed a curator?”
“You guys were really anti-intellectual. So that’s how it worked? Just slap together a piece on a whim? All about guts and bravado, huh?”
“Well, not all of it. Some were into programming, some were doing interactive stuff.”
“I thought that piece was a mechanical installation—it moved every few minutes. Later I found out someone was hiding behind the wall. He’d smoke a cigarette, time it for three minutes, then pull a string to make it move.”
“High tech, huh…”